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À la Maison des femmes, on soigne les femmes victimes de violences. Ailleurs elles sont menacées, brutalisées, violées, mutilées, leurs souffrances ignorées. Ici, elles sont écoutées, soutenues, aidées, crues. Diane, Manon, Inès, Awa et les autres leur donneront le bras jusqu’à ce qu’elles puissent se relever. En équipe. Quitte à risquer leur propre équilibre.

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Decadence is a cyclical circumstance moving with the turns of the centuries. Following a four-season study of glamour in the millennial age, the Spring-Summer 2019 Artisanal collection marks a new investigation for Maison Margiela. Observing the excess and artifice engendered by the digital world, creative director John Galliano ventures into a new era of decadence. The overstimulation of computer-generated imagery alters reality and degenerates the truth. Chaotic and unsettling, it is a confusion of the senses rooted in an over-satiation that inevitably overspills. For the generations born around the millennium, it breeds a spirit of le malaise de la fin du siècle. Revolution: a desire for change. Maison Margiela renders the decadence of our time and examines if inverted excess could lead to a new appetite for restraint.

A socially-awkward college student, who lives vicariously through his hero fantasies, takes his roommates on a trip around the world only to end up held hostage by a crazy Italian man, hell-bent on his daughter marrying an American.

一段独家影像跟拍了社交媒体明星杰克・保罗和洛根・保罗，展示了他们奢华生活方式中的私密时刻，以及关于他们家庭关系的个人见解。

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The personal and collective story of an existence inextricably linked to cinema, that of Paul Vecchiali. Mayerling is the title of Anatole Litvak’s 1936 film and is also the name of the house in the south of France where he lived and made his last !lms, a place Vecchiali will return to for his Retour à Mayerling. In this portrait, Paul looks at himself an his collaborators who describe him. 　　During his art studies, Antonio Pettinelli began working as a radio host, then as a journalist, covering topics related to cinema, music and entertainment. He was Fellini’s voluntary assistant director in City of Women. He wrote and directed documentaries and reportages in Italy and abroad, mainly for the RAI networks.